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Maargam Ondru Uraithaye by Smt. Praveena Anand
A humble offering on the Tirunakshatram (Avatara day) of Swami Sri Vedanta Desikan, the great Āchārya who showed the path of śaraṇāgati. In Sri Vaishnava tradition, the syllable “ம (ma)” denotes the Jīvātma. This song is built with alliteration on “ம”, every line beginning with it, symbolising the soul’s surrender guided by the Āchārya. Our humble gratitude to Swami Vedanta Desikan on his auspicious Tirunakshatram. 🙏🙏
Gopika Geetam by Smt. Praveena Anand
This upanyasam explains the Significance of Raasa Panchaadyaayi from Srimad Bhagavata Purana and helps us to dwell in the Krishna bhakti of Gopikas with select slokas from Gopika Geeta.
Divyadesa Pasurams by Smt. Sripriya Vijay
Playlist of pasurams tuned and rendered by Smt. Sripriya Vijay from Swarathmika Fine Arts
Kanda Naal Mudhalai by Sri. Srinivasan Mukundan
Song rewritten from Kanda Naal Mudhalai by S. Cidambaram. Raagam: Madhuvanti
Kannan Kuchelan by Sri. Anand Sampathkumar
Celebrating the eternal divine friendship of Bhagavan Sri Krishna Sri Kuselar (Sri Sudama). Lyrics: Anand Sampathkumar, Video Creator: GN Praveena, Music & Singing: AI
Garuda Gamana Deva by Sri. Raghavan Ramanujadasan
Originally composed by Jagadguru Sri Bharati Tirtha Mahaswamiji, this Maha Vishnu Slokam was interpreted into Tamil by one of the Sri. Ramanuja Society members, Sri. Raghavan Ramanujadasan. It also follows the original tune of Garuda Gamana Deva (click here to listen to the original tune).
A Divine Musical Tribute to Sri Andal by Smt. Praveena Anand
A soulful 4-minute Tamil song celebrating the divine avatāra and glory of Sri Andal, the beloved daughter of Vishnuchitta Periyāzhvār, composed specially for Thiru-āḍi-puram (Andal’s Jayanthi). From her appearance in the Tulasi garden, her deep Krishna Bhakti, the creation of Thiruppāvai and Nāchiyār Thirumozhi, to her divine marriage with Lord Ranganātha – this humble composition offers a glimpse into her divine leela in simple, heart-touching Tamil.
Thiruppavai Infographic Illustration by Sau. Samakya Nedumaram
With the dawn of 2022 Marghazhi maadham, Sau. Samakya spent her school holidays creating visual representations for each and every Tiruppavai paasuram. Her illustrations were not only creative but also helped bhagawathas of all ages to develop a deeper understanding of the paasurams to appreciate them better. Her work received accolades from all around the world.
Shree Ranga Venkatava Varada by Sri. Anand Sampathkumar
A humble song in worship of Acharyas, Azhwars, Nithya suris, Sri Andal, Thaayar and Perumal.
Jagannatha Walked Into My World! by Smt. Praveena Anand
This is my heartfelt devotional song, born on the sacred day of Ratha Yatra (2025) in Singapore. As Lord Jagannatha mounted His chariot and devotees sang His name, Bhagavān blessed me with this thought — a vision of the Lord arriving in Singapore for His devotees… for me. A glimpse of the Karuṇā of Śrī Subhadrā, Balabhadra, and Jagannātha. This is a Ratha Yatra offering in Samskritam, offered to Bhagavan Jagannatha, Lord of the Universe, who rode into my world on His chariot of karuna. The verses are built on alankāra — alliteration as devotion. The first verse is adorned with ‘सु’ for Subhadrā, the second with ‘भ’ for Bhadra (Balabhadra), and the third with ‘ज’ for Jagannātha. Each line begins with their sound, making the stuti a garland woven from their very names.
An offering at the lotus feet of Shree Nathamunigal by Sri. Anand Sampathkumar and Smt. Praveena Anand
This is a song on one of THE most important Acharya – Srimad Nathamunigal. We are fully indebted to Srimad Nathamunigal for helping retrieve all the 12 Azhwar Paasurams. “Ma (ம)” in Sri Vaishnava teachings refers to Jivatma. As you will observe, the song is built using alliteration with each line beginning with the syllable “Ma(ம)”. This is our humble attempt – as Jivatmas – to present our gratitude to one of THE most important Acharya Srimad Nathamunigal. Sarvam Sri Krishnaarpanamastu